In this subject students will engage with creative and intellectual concepts that deal with an understanding of place (and places) and its relationship to individuals, communities and cultural formations. These places may be physical, social or psychological, and can include "natural". landscapes, urban/industrial environments, the genealogies of family or place and the connections between memory and physical space. This subject asks students to engage with writings by novelists and poets in addition to non-fictional texts to stimulate their own creative writing project that will be developed and workshopped in the seminars. Students will explore the relationship between the creative process and the development of written and performative texts. On completion of the subject students will have produced a folio of writing that can include prose-fiction, poetry, performance/script or non-fiction.

This subject deals with a range of forms within the genre of eco-fiction. The subject is seminar-based and engages with the concept of 'contemporary eco-fiction' in two ways: 1) via exploration of narrative forms across the genres (story, novel, short fiction) and 2) examination of the environmental, political, ethical and ideological fictions that sub-tend everyday life. Themes and texts that may be included in subject reading material will be essays and interviews that address the production and craft of writing and the ways in which environmental issues are fictionalised. The subject may also look at specific forms of fiction such as the 'linked collection' of short fiction, thematic anthologies, and single-authored collections produced around environmental, social, ethical, ideological and psychological themes.

Students will read graphic fiction and non-fiction with a focus on 20th century writers such as Robert Crumb, Art Spiegelman, Alison Bechdel, Chris Ware, Marjane Satrapi, Charles Burns, Bruce Mutard and Shaun Tan. Students will also read into comics theory, cultural theory, and contemporary criticism of the medium, and discuss the history and innovations of this emerging field of writing practice. Students will work to produce their own original graphic narrative: this can be fictional, autobiographical, biographical or journalistic. Guest tutors will present intensive masterclasses on drawing and storyboarding; no prior artistic experience is required.

This subject will introduce students to advanced dialogic techniques in relation to a range of genres including short story, novel and script.

The exploration of the mechanics of dialogue will be cast against the historical evolution of modern and postmodern modes of dialogue so that students will also understand how dialogue has been shaped by genre and the socio-political and cultural contexts from which key genres have arisen. For assessment, students will develop practical work comprising a short script, a full-length short story or a series of ‘short’ short stories. They will also produce a comparative critique of modes of dialogue used by authors included in the subject reader. They will workshop their creative project, participate in improvisational exercises, and provide written and verbal editorial feedback to fellow students.

This subject will provide students with the interdisciplinary skills to write an original script in any medium. Students will learn the distinct scriptwriting approaches to works for theatre, live performance, radio, film and digital media. They will devise a concept outline and script excerpt for a work of either: theatre, performance, radio, film, tv, or a digital media project.

In this subject students study a number of recent Australian literary works selected from a range of genres. The emphasis is on contemporary work. The approach will include discussion of ways of reading, and production of creative responses to the selected texts. Students will read one significant work in preparation for each weekly class.

Students will read a range of fictional and non-fictional serial narratives written in the late 20 th and early 21 st centuries for newspapers, radio, film and television, such as Maupin’s Tales of the City books, Miller’s Mad Max films, or Breaking Bad. Students will analyse these texts with a focus on the relationship between serial distribution and storytelling form, and with particular attention given to historical transformations and new developments. Students will also read critical approaches to serial narrative concentrating on textual forms, genre, criticism, technologies of production and distribution, industrial formations of production and distribution, cultural contexts, and modes of audience engagement. Students will work to devise a concept outline for an original serial narrative for print, audio or screen (e.g. television series or podcast series), and write selected installments.

This subject is only available to students admitted to the Bachelor of Arts Honours (Creative Writing), Graduate Diploma in Arts (Advanced) Creative Writing, the Master of Creative Writing, Publishing and Editing, Master of Global Media Communications, Master of Marketing Communications, or the Master of Arts and Cultural Management.

This subject will explore writing children's, middle grade and young adult fiction. Students will critically engage with texts from these relatively new literary genres, examine issues of ethics, diversity, representation, identity, voice, and creatively navigate the spaces between childhood and adulthood. Exploring the historical development, trends, characteristics and common misconceptions of writing for young people, this subject will place children's, middle grade and young adult literature in the broader context of literary criticism and cultural studies.

This subject provides an overview of the major factors affecting the local and global production, marketing and distribution of books, magazines and electronic publications. It considers the impact of political, social and economic conditions, technological changes, and changing industry practices. Students will gain a critical understanding of professional practices and current issues in various sectors of the industry in the context of global developments.

This introductory subject is designed to induct graduate students into the major issues and current thinking in web-based communication; to familiarize students with the major channels and platforms in use in this field; to develop an understanding of online genres, and teach essential writing and editing skills for online contexts. Students will gain practical experience in writing in a number of different styles and formats and will learn to publish their work on a digital platform.

This subject introduces students to the history of the book and its relationship to changing reading practices. It will focus specifically on the changing technologies and aesthetics of book production, the relationships between reading and other cultural practices, the changing roles of publishers, booksellers and authors, the evolution of libraries as repositories and gatekeepers of approved knowledge, and the role of government in establishing a legislative framework to regulate the book trade.

This subject introduces students to advanced aspects of editing for digital media. It focuses on the methods, systems, trends and technological developments taking place in digital media industries, and presents a portfolio of key skills and knowledge required in contemporary editing and content management. Taking the publishing industry as its professional context, it focuses on software for digital authoring, editing, content management and content marketing; the principles of workflow in the digital office; digital publishing and ebook production processes and systems; and the creation of video for the internet. Students will gain a practical understanding of a range of applications and systems that are industry standards, and develop deeper literacy around digital media and e-communication.

This subject teaches students practical skills in creating documents using the industry-standard software, Adobe Indesign through practical workshops that take the student from beginner to intermediate skill levels. It also introduces students to the concepts and practice of print production and design, and outlines the underlying principles of publishing design and page layout, the characteristics of good typesetting, the interrelationship of images, space, colour and text and the importance of design briefs. Through reference to the history of printing, this subject will extend students’ understanding of the impact of changing technologies on typography, graphic design and production processes, enabling them to develop a critical awareness of trends in the field. A brief insight to some of the specific design and publishing challenges of ePublishing is also provided.

Please note: Students should subscribe to Adobe Indesign via Adobe Creative Cloud for the duration of the subject in order to be able to complete assignments out of class time.

This subject provides an overview of magazine writing, editing and publishing, with special emphasis on the skills needed to successfully produce magazines today. We examine how magazine editors conceive of audiences, and how they create print and digital magazines that serve the needs and desires of those audiences. Students will study how editors turn ideas into stories, and work with the magazine production team to give a story its final form. Students will learn how writers pitch ideas to editors, and to research and write magazine feature stories. We study the commercial aspects of magazine publishing – advertising, sales, marketing and promotion – and investigate innovative magazine business models in a time of great change and disruption in publishing. We examine how a magazine develops from concept to finished product, including launch proposal, project planning, scheduling and budgeting. Our focus is not solely on print, but on the magazine as a form that continues to evolve in response to social and technological change.

This subject addresses ethical issues and legal constraints related to working in the arts and culture sector, including publishing for print and digital media. It will review existing ethical codes and the mechanisms established to police them, as well as offering an overview of how practices are shaped by law relating to such matters as intellectual property, contracts, negligence, privacy, defamation and respect for cultural differences. On successfully completing this subject, students will have gained an understanding of a wide range of ethical and legal considerations for their professional practice.

This subject involves travel to New York to undertake a five-day intensive to be taught at a New York based university. The program will involve instruction by senior figures in the US publishing industry, from established firms and the recent start-ups that are re-shaping the industry.

This subject introduces students to the processes by which book publishers evaluate proposals and build their lists. Through seminars and hands-on workshops, students are introduced to the business and management aspects of book publishing that underpin list-building, and to the processes involved in selecting and commissioning titles, researching potential markets, building a distinctive list, choosing formats (print and digital), and providing effective commentary on work in progress. The subject also examines the management of publishing enterprises, including project costing, production management and quality control, distribution, management of suppliers, the negotiation of contracts, and the sale of subsidiary rights. On successfully completing this subject, students will have acquired advanced skills in manuscript appraisal, a detailed knowledge of the characteristics of a successful book publishing list, and a wide-ranging understanding of financial and management systems in the publishing industry.

This subject will introduce students to the principles and practices associated with the development and structural editing of a range of texts from four specialised genres: fiction, trade non-fiction, children’s books, genre fiction and educational publishing. Students will be presented with manuscripts across these specialised genres, by a combination of Publishing and Communications staff and guest lecturers from the relevant fields. Each genre will be covered in detail over two or three weeks of the semester. On successful completion of this subject students will have acquired advanced skills in manuscript appraisal and editing.

Students enrolled in this subject will be assisted to find a placement in a professional working environment. They will work under the guidance of a senior staff member, with additional support from the subject coordinator. The placement will enable students to apply in a practical environment skills developed in their other coursework units. Students will thus gain direct exposure to professional practice in their chosen field. The internship may be undertaken as a practicum at the students' workplace if appropriate.

In this subject students will engage with creative and intellectual concepts that deal with an understanding of place (and places) and its relationship to individuals, communities and cultural formations. These places may be physical, social or psychological, and can include "natural". landscapes, urban/industrial environments, the genealogies of family or place and the connections between memory and physical space. This subject asks students to engage with writings by novelists and poets in addition to non-fictional texts to stimulate their own creative writing project that will be developed and workshopped in the seminars. Students will explore the relationship between the creative process and the development of written and performative texts. On completion of the subject students will have produced a folio of writing that can include prose-fiction, poetry, performance/script or non-fiction.

This subject deals with a range of forms within the genre of eco-fiction. The subject is seminar-based and engages with the concept of 'contemporary eco-fiction' in two ways: 1) via exploration of narrative forms across the genres (story, novel, short fiction) and 2) examination of the environmental, political, ethical and ideological fictions that sub-tend everyday life. Themes and texts that may be included in subject reading material will be essays and interviews that address the production and craft of writing and the ways in which environmental issues are fictionalised. The subject may also look at specific forms of fiction such as the 'linked collection' of short fiction, thematic anthologies, and single-authored collections produced around environmental, social, ethical, ideological and psychological themes.

Students will read graphic fiction and non-fiction with a focus on 20th century writers such as Robert Crumb, Art Spiegelman, Alison Bechdel, Chris Ware, Marjane Satrapi, Charles Burns, Bruce Mutard and Shaun Tan. Students will also read into comics theory, cultural theory, and contemporary criticism of the medium, and discuss the history and innovations of this emerging field of writing practice. Students will work to produce their own original graphic narrative: this can be fictional, autobiographical, biographical or journalistic. Guest tutors will present intensive masterclasses on drawing and storyboarding; no prior artistic experience is required.

This subject will introduce students to advanced dialogic techniques in relation to a range of genres including short story, novel and script.

The exploration of the mechanics of dialogue will be cast against the historical evolution of modern and postmodern modes of dialogue so that students will also understand how dialogue has been shaped by genre and the socio-political and cultural contexts from which key genres have arisen. For assessment, students will develop practical work comprising a short script, a full-length short story or a series of ‘short’ short stories. They will also produce a comparative critique of modes of dialogue used by authors included in the subject reader. They will workshop their creative project, participate in improvisational exercises, and provide written and verbal editorial feedback to fellow students.

This subject will provide students with the interdisciplinary skills to write an original script in any medium. Students will learn the distinct scriptwriting approaches to works for theatre, live performance, radio, film and digital media. They will devise a concept outline and script excerpt for a work of either: theatre, performance, radio, film, tv, or a digital media project.

In this subject students study a number of recent Australian literary works selected from a range of genres. The emphasis is on contemporary work. The approach will include discussion of ways of reading, and production of creative responses to the selected texts. Students will read one significant work in preparation for each weekly class.

Students will read a range of fictional and non-fictional serial narratives written in the late 20 th and early 21 st centuries for newspapers, radio, film and television, such as Maupin’s Tales of the City books, Miller’s Mad Max films, or Breaking Bad. Students will analyse these texts with a focus on the relationship between serial distribution and storytelling form, and with particular attention given to historical transformations and new developments. Students will also read critical approaches to serial narrative concentrating on textual forms, genre, criticism, technologies of production and distribution, industrial formations of production and distribution, cultural contexts, and modes of audience engagement. Students will work to devise a concept outline for an original serial narrative for print, audio or screen (e.g. television series or podcast series), and write selected installments.

This subject is only available to students admitted to the Bachelor of Arts Honours (Creative Writing), Graduate Diploma in Arts (Advanced) Creative Writing, the Master of Creative Writing, Publishing and Editing, Master of Global Media Communications, Master of Marketing Communications, or the Master of Arts and Cultural Management.

This subject will explore writing children's, middle grade and young adult fiction. Students will critically engage with texts from these relatively new literary genres, examine issues of ethics, diversity, representation, identity, voice, and creatively navigate the spaces between childhood and adulthood. Exploring the historical development, trends, characteristics and common misconceptions of writing for young people, this subject will place children's, middle grade and young adult literature in the broader context of literary criticism and cultural studies.

This subject provides an overview of the major factors affecting the local and global production, marketing and distribution of books, magazines and electronic publications. It considers the impact of political, social and economic conditions, technological changes, and changing industry practices. Students will gain a critical understanding of professional practices and current issues in various sectors of the industry in the context of global developments.

This introductory subject is designed to induct graduate students into the major issues and current thinking in web-based communication; to familiarize students with the major channels and platforms in use in this field; to develop an understanding of online genres, and teach essential writing and editing skills for online contexts. Students will gain practical experience in writing in a number of different styles and formats and will learn to publish their work on a digital platform.

This subject introduces students to the history of the book and its relationship to changing reading practices. It will focus specifically on the changing technologies and aesthetics of book production, the relationships between reading and other cultural practices, the changing roles of publishers, booksellers and authors, the evolution of libraries as repositories and gatekeepers of approved knowledge, and the role of government in establishing a legislative framework to regulate the book trade.

This subject introduces students to advanced aspects of editing for digital media. It focuses on the methods, systems, trends and technological developments taking place in digital media industries, and presents a portfolio of key skills and knowledge required in contemporary editing and content management. Taking the publishing industry as its professional context, it focuses on software for digital authoring, editing, content management and content marketing; the principles of workflow in the digital office; digital publishing and ebook production processes and systems; and the creation of video for the internet. Students will gain a practical understanding of a range of applications and systems that are industry standards, and develop deeper literacy around digital media and e-communication.

This subject teaches students practical skills in creating documents using the industry-standard software, Adobe Indesign through practical workshops that take the student from beginner to intermediate skill levels. It also introduces students to the concepts and practice of print production and design, and outlines the underlying principles of publishing design and page layout, the characteristics of good typesetting, the interrelationship of images, space, colour and text and the importance of design briefs. Through reference to the history of printing, this subject will extend students’ understanding of the impact of changing technologies on typography, graphic design and production processes, enabling them to develop a critical awareness of trends in the field. A brief insight to some of the specific design and publishing challenges of ePublishing is also provided.

Please note: Students should subscribe to Adobe Indesign via Adobe Creative Cloud for the duration of the subject in order to be able to complete assignments out of class time.

This subject provides an overview of magazine writing, editing and publishing, with special emphasis on the skills needed to successfully produce magazines today. We examine how magazine editors conceive of audiences, and how they create print and digital magazines that serve the needs and desires of those audiences. Students will study how editors turn ideas into stories, and work with the magazine production team to give a story its final form. Students will learn how writers pitch ideas to editors, and to research and write magazine feature stories. We study the commercial aspects of magazine publishing – advertising, sales, marketing and promotion – and investigate innovative magazine business models in a time of great change and disruption in publishing. We examine how a magazine develops from concept to finished product, including launch proposal, project planning, scheduling and budgeting. Our focus is not solely on print, but on the magazine as a form that continues to evolve in response to social and technological change.

This subject addresses ethical issues and legal constraints related to working in the arts and culture sector, including publishing for print and digital media. It will review existing ethical codes and the mechanisms established to police them, as well as offering an overview of how practices are shaped by law relating to such matters as intellectual property, contracts, negligence, privacy, defamation and respect for cultural differences. On successfully completing this subject, students will have gained an understanding of a wide range of ethical and legal considerations for their professional practice.

This subject involves travel to New York to undertake a five-day intensive to be taught at a New York based university. The program will involve instruction by senior figures in the US publishing industry, from established firms and the recent start-ups that are re-shaping the industry.

This subject introduces students to the processes by which book publishers evaluate proposals and build their lists. Through seminars and hands-on workshops, students are introduced to the business and management aspects of book publishing that underpin list-building, and to the processes involved in selecting and commissioning titles, researching potential markets, building a distinctive list, choosing formats (print and digital), and providing effective commentary on work in progress. The subject also examines the management of publishing enterprises, including project costing, production management and quality control, distribution, management of suppliers, the negotiation of contracts, and the sale of subsidiary rights. On successfully completing this subject, students will have acquired advanced skills in manuscript appraisal, a detailed knowledge of the characteristics of a successful book publishing list, and a wide-ranging understanding of financial and management systems in the publishing industry.

This subject will introduce students to the principles and practices associated with the development and structural editing of a range of texts from four specialised genres: fiction, trade non-fiction, children’s books, genre fiction and educational publishing. Students will be presented with manuscripts across these specialised genres, by a combination of Publishing and Communications staff and guest lecturers from the relevant fields. Each genre will be covered in detail over two or three weeks of the semester. On successful completion of this subject students will have acquired advanced skills in manuscript appraisal and editing.

Students enrolled in this subject will be assisted to find a placement in a professional working environment. They will work under the guidance of a senior staff member, with additional support from the subject coordinator. The placement will enable students to apply in a practical environment skills developed in their other coursework units. Students will thus gain direct exposure to professional practice in their chosen field. The internship may be undertaken as a practicum at the students' workplace if appropriate.